Testimonials

"Chris' versatility means he really draws the essence out of a film and brings it to life in sound, whether the score is dark and atmospheric and experimental, or an simple, elegant piano piece that gently leads the audience through their emotional journey. He's fluent in everything from confrontational to the universal. The best scores subtly support the actors, enhancing the emotion they are putting onscreen, and that is exactly what Chris' compositions accomplish."

Charles Spano

Writer and producer (Embers and IO: Last On Earth, Netflix)

"Having the pleasure of knowing Chris for several months, I'm genuinely impressed by his creative and versatile musical soundscapes. His attention to detail consistently exceeds expectations in every task and meets every deadline with the utmost professionalism."

Eric McLellan

A&R, manager and industry veteran

(Warner Music Group, Sony BMG, Universal Music)

"Really great job making scoring decisions. Don't overscore, nor underscore.

A perfect blend of knowing what the film needs. A great job of serving the narrative."

David Deutsch

Composer, orchestrator and synth wiz.

(The Kingsman, The Suicide Squad, The Invisible man)

"Chris takes the scene from gentle melancholy to true grief, all without

overwhelming or cheapening the moment. Saying that the score is good

is merely an understatement. Once again, a commendable job in expressing

and creating the needed emotion"

Tracy Brower

Apple, Coca Cola, Google and Warner Bros.

"The experimentalism in Chris' most boundary-pushing tracks does nothing less than bring techniques of world-building to the film score. Menacing synths, otherworldly choruses, and experimental soundscources combine into bleeding-edge compositions that would be perfect for the next entry into The Batman series or a Ridley Scott mind warp. The meticulous attention to small details results in layered pieces that completely defy traditional expectations. Anyone looking for a score the likes of Ben Frost, Micachu, or Jonny Greenwood would be doing themselves a disservice if they don't also talk to Christian Freeman. As a screenwriter, one of my methods of knowing a great film score is if it inspires in my imagination new scenes, new characters, new movies and Christian Freeman's work does just that."

Charles Spano

Writer and producer (Embers and IO: Last On Earth, Netflix)